[She slips her arm through his, though. She tugs out her cell phone, skims through it, and offers it to him.]
But you can look at them, if you'd like, as a reward for what a lovely surprise this was.
[There's two pictures, in fact. The first isn't so interesting; it's her in her lab, her head bent as she peers at something. The photo is blurry; the only reason you can tell it's her is because of the flash of red hair.
The second, however, will be of far more interest to Tony. It's Rosalind at her BMW at the end of the night, her books in her arms and her keys clenched between her teeth. It's also a lovely shot of her legs, which is why Tony is only getting a look, not the photo proper.]
no subject
[She slips her arm through his, though. She tugs out her cell phone, skims through it, and offers it to him.]
But you can look at them, if you'd like, as a reward for what a lovely surprise this was.
[There's two pictures, in fact. The first isn't so interesting; it's her in her lab, her head bent as she peers at something. The photo is blurry; the only reason you can tell it's her is because of the flash of red hair.
The second, however, will be of far more interest to Tony. It's Rosalind at her BMW at the end of the night, her books in her arms and her keys clenched between her teeth. It's also a lovely shot of her legs, which is why Tony is only getting a look, not the photo proper.]